I'm inviting everyone from all over the world to visit Cebu during the early weeks of January!
Cebu becomes totally festive and lively during this time of year -- even more festive than Christmas time, I swear. The road isles are decorated with tarpaulins and posters of Señor Santo Niño, you get to see red and yellow fiesta buntings hung above as you look up, deafening music and beats roar from the speakers of almost every establishment, some roads get temporarily closed due to the parades and the big sea of people, stalls selling Cebuano stuff or providing tattoos appear, and theatrical dances are presented onstage or along the streets!
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| Cebuanos waving during the chorus of a Sinulog song at mass. [source] |
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All this in commemoration of what happened hundreds of years ago. It was in the year 1521.
From Wikipedia:
On April 15, 1521, the Portuguese explorer Ferdinand Magellan arrived and planted the cross on the shores of Cebu, claiming the territory for Spain. He presented the image of the child Jesus, the Santo Niño, as baptismal gift to Hara Amihan, wife of Rajah Humabon. Hara Amihan was later named, Queen Juana in honor of Juana, mother of Carlos I. Along with the rulers of the island, some 800 natives were also baptized to the Roman Catholic Church. At the moment of receiving the holy image, it was said that Queen Juana danced with joy bearing this image of the child Jesus. With the other natives following her example, this moment was regarded as the first Sinulog.
This event is frequently used as basis for most Sinulog dances, which dramatize the coming of the Spaniards and the presentation of the Santo Niño to the Queen. A popular theme among Sinulog dances is Queen Juana holding the Santo Niño in her arms and using it to bless her people who are often afflicted by sickness caused by demons and other evil spirits.
After Magellan died on April 27, 1521 on the shores of Mactan, the remnants of his men returned to Spain. The Spanish explorer Miguel López de Legazpi arrived in Cebu on April 28, 1565 and occupied the villages ruled by Rajah Tupas. In one of the huts of the burning village, one of López de Legazpi's soldiers named Juan Camus found a wooden box containing the statue of the Santo Niño lying amongst several other native idols. Historians later said that during the 44 years between the arrival of Magellan and López de Legazpi, the natives of Cebu continued to dance the Sinulog but no longer to worship their anitos (god) but to show their reverence to the Santo Niño.
The Augustinian friars that accompanied López de Legazpi in his expedition proclaimed the statue performed miracles and built a church on the site where it was found. The church was called San Agustin Church, later renamed to Basilica Minore del Santo Niño.
Since 1521, devotion to the Santo Niño has grown and has taken root in Philippine popular piety, particularly in the Visayas; pilgrims from different parts of Cebu and the rest of the Philippines make their yearly journey to the church to take part in the procession and festival. Starting in 1980, the Cebu City government organized the Sinulog Festival and eventually gave incentives to tribal dance groups. The first Sinulog parade was held in 1980, organized by Dávid Odilao, then Regional Director of the Ministry of Sports, and Youth Development. The parade was composed of students dressed in Moro costumes, dancing the Sinulog to the beating of drums.
The idea caught and thus, under the direction of the Cebu City Mayor Florentino Solon with the help of several influential Cebuanos, Odilao turned over the Sinulog project to the Cebu City Historical Committee under Kagawad Jesus Garcia. It was the task of the Committee to conceptualize the Sinulog festival and make it into a yearly event from then on.
In 1981 the following year, the concept of the Sinulog Parade was actualized involving not just Cebu but also representatives from other provinces in the Philippines . Marking its difference from another popular festival, the Ati-Atihan in Aklan, the Sinulog focuses not on the ritual itself but on the historical aspects of the dance, which, as it has been said, represents the link the country's embrace of Christian faith.
This event is frequently used as basis for most Sinulog dances, which dramatize the coming of the Spaniards and the presentation of the Santo Niño to the Queen. A popular theme among Sinulog dances is Queen Juana holding the Santo Niño in her arms and using it to bless her people who are often afflicted by sickness caused by demons and other evil spirits.
After Magellan died on April 27, 1521 on the shores of Mactan, the remnants of his men returned to Spain. The Spanish explorer Miguel López de Legazpi arrived in Cebu on April 28, 1565 and occupied the villages ruled by Rajah Tupas. In one of the huts of the burning village, one of López de Legazpi's soldiers named Juan Camus found a wooden box containing the statue of the Santo Niño lying amongst several other native idols. Historians later said that during the 44 years between the arrival of Magellan and López de Legazpi, the natives of Cebu continued to dance the Sinulog but no longer to worship their anitos (god) but to show their reverence to the Santo Niño.
The Augustinian friars that accompanied López de Legazpi in his expedition proclaimed the statue performed miracles and built a church on the site where it was found. The church was called San Agustin Church, later renamed to Basilica Minore del Santo Niño.
Since 1521, devotion to the Santo Niño has grown and has taken root in Philippine popular piety, particularly in the Visayas; pilgrims from different parts of Cebu and the rest of the Philippines make their yearly journey to the church to take part in the procession and festival. Starting in 1980, the Cebu City government organized the Sinulog Festival and eventually gave incentives to tribal dance groups. The first Sinulog parade was held in 1980, organized by Dávid Odilao, then Regional Director of the Ministry of Sports, and Youth Development. The parade was composed of students dressed in Moro costumes, dancing the Sinulog to the beating of drums.
The idea caught and thus, under the direction of the Cebu City Mayor Florentino Solon with the help of several influential Cebuanos, Odilao turned over the Sinulog project to the Cebu City Historical Committee under Kagawad Jesus Garcia. It was the task of the Committee to conceptualize the Sinulog festival and make it into a yearly event from then on.
In 1981 the following year, the concept of the Sinulog Parade was actualized involving not just Cebu but also representatives from other provinces in the Philippines . Marking its difference from another popular festival, the Ati-Atihan in Aklan, the Sinulog focuses not on the ritual itself but on the historical aspects of the dance, which, as it has been said, represents the link the country's embrace of Christian faith.
Sinulog is celebrated every third Sunday of January, but Cebu dances even before the said date. This is gonna be fun. ♥
THE SINULOG BEAT:
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